(Nguoinoitieng.vn) – In the late 90s, Xuan Hinh was such a high-profile name and dominated the North Korean comedy market that every time Tet came, people’s families told each other to buy a record from the Comedy Spring Festival.
Artist Xuan Hinh – the “King of Comedy” dominates the Vietnamese folk comedy market
Xuan Hinh, full name is Bui Xuan Hinh, born April 8, 1960, from Bac Ninh. Xuan Hinh is known as the “Northern Comedy King” with works such as “Naughty life – Tung brick kiln (1995), the role of Mong Ti (Xuan Hinh will ask his wife), Mong Thi Say Sua, . ..
Or the slogans “Whoever calls me there, I’m there”, “Have fun, don’t waste your money…”; Melodies such as “sad, sad, sad, sad, I miss you, love and miss, miss and miss, love and miss” appeared in villages and alleys, even the city competed to watch Xuan Hinh comedy. .
In 1977, Xuan Hinh was accepted into the Quan Ho Bac Ninh Folk Song Company while still in high school. In 1983, Xuan Hinh passed the entrance examination for the folk singing major of Hanoi University of Theater and Film. After graduating, Xuan Hinh was hired as a teacher at the school, but he refused.
In 1988, the role of Cu Sut’s Xuan Hinh in the Festival of Laughs, played for nearly 2 months at the Cultural Palace of Vietnam-Soviet Friendship, was warmly praised by the public.
In 2016, Xuan Hinh celebrated his 40-year career for the first time with a big live show titled “Xuan Hinh – The Rustic Prankster”.
|The Xuan Hinh liveshow is also the first and biggest clown show in the history of the country’s stage, directed by three of Vietnam’s most famous directors: directors Pham Hoang Nam, Le Hung and Do Thanh Hai. .|
A space that simulates the traditional cheo stage but carries a contemporary breath with eye-catching effects and techniques, advanced stage techniques are incorporated into classic pieces bearing the imprint of Xuan Hinh.
Combined with the “sweet candy cane” cheo voice, the humorous and witty acting, but sometimes showing the tragedy and distress of Xuan Hinh’s character’s fate, created a successful and comprehensive concert evening. .
From the role of Cu Sat filled with tapes and television, Xuan Hinh began to attract public attention and was constantly invited to “run” in comedy programs on television and gradually became famous for a series of roles. rowing clowns such as “The priest is afraid of ghosts”, “He Mo”, “The clown”, “Ly tot is chasing”, “Husband and wife are drunk”, …
|Since then, Xuan Hinh dabbled in Tet comedy production and the late 90s was a time when the comedy-entertainment movement had not yet developed. Northerners hardly had a home without Xuan Hinh’s tapes and records. Is it a countryside or a city every New Year comes.|
Bac Ninh’s sweet voice of Xuan Hinh with songs, patriotic mandarins filled with love for the motherland, lively songs of the Tet atmosphere, are very suitable for the joyful atmosphere of the welcoming spring and the reunion of family.
Lines and lines of Xuan Hinh are so accessible, popular and easy to learn that children and old people can imitate and hence his plays are watched again and again.
In particular, with the sketch “Horseman, human horse” (Nguyen Cong Hoan) helped make Xuan Hinh “the king of comedy in the North” by his diverse acting style, making audiences laugh and cry in the face of same fate. its pole driver under the colonial regime.
Xuan Hinh’s success is not entirely down to luck as few people know that behind the joyous laughter Xuan Hinh brings to the audience on stage is a person with a serious training spirit and a love for his work. .
|From the student, knowing that the voice weakness of the cheo was a bit thin, so Xuan Hinh immediately “searched for a teacher” in Professor Tuan, studied in class, and in the evening Xuan Hinh followed Mr. Tuan to practice his voice.|
Another explanation for Xuan Hinh’s success besides the “people and peace” factor is “heavenly weather, geographical advantage”.
But for this reason, many Xuan Hinh products are sometimes criticized for being a bit “vulgar”.
Looking back, we can see that Hai Xuan Hinh has become an indispensable spice for a more colorful life in the late 90s and it is difficult for an artist to have enough prominence and enough strength to “beat” Xuan Hinh. concept of the upcoming Spring Festival.